MA, PhD
Emeritus Professor
- 黑料网
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- Email Address
- d.w.hughes@abdn.ac.uk
- School/Department
- School of Language, Literature, Music and Visual Culture
Biography
Derek Hughes (MA, PhD) has written extensively on seventeenth and early eighteenth century English literature, with special interests in drama, women's writing, and representations of America. He also works on the relationship between literature and music, and on comparative literature, particularly on the relationship between English, classical, and German texts. His monographs include English Drama,1660-1700 (1996), The Theatre of Aphra Behn (2001), and Culture and Sacrifice: Ritual Death in Literature and Opera (2007), which studies the literary treatment of human sacrifice from Homer to the present day. He has edited Women Dramatists of the Eighteenth Century (2001) and Versions of Blackness: Key Texts on Slavery from the Seventeenth Century (2007). Culture and Sacrifice contains a chapter on Wagner, on whom he has continued to work for the past twenty years, analysing the many errors and anachronisms which contribute to Wagner's current evil reputation. He has published many articles in The Wagner Journal and, most recently, is the author of Wagner: the Invention of a Monster (2026).
- Research
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Research Overview
Greek and Latin Literature, seventeenth- and eighteenth-century British literature, Comparative Literature, opera (especially Wagner).
- Publications
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Heroic Drama and Tragicomedy
In: Blackwells' Companion to Restoration Drama (ed. Owen,S. J.), Oxford, pp. 195-210, 15 pagesChapters in Books, Reports and Conference Proceedings: ChaptersHuman Sacrifice in Homer and Dryden's The Indian Emperour
In: Dryden and the World of Classicism (eds. G枚rtschacher,W.;Klein,H. M.), T眉bingen, pp. 89-98, 9 pagesChapters in Books, Reports and Conference Proceedings: ChaptersThe Theatre of Aphra Behn
Palgrave, Basingstoke. 240 pagesBooks and Reports: BooksRestoration and Settlement: 1660 and 1688
The Cambridge Companion to Restoration Theatre. Cambridge University Press, pp. 127-141, 15 pagesChapters in Books, Reports and Conference Proceedings: Chapters'Silent in th鈥檌nchanting circle鈥�': women and language in Sir Patient Fancy
Aphra Behn (1640-1689): Identity, Alterity, Ambiguity. O'Donnell, M. A., Dhuicq, B., Leduc, G. (eds.). Harmattan, pp. 191-196, 6 pagesChapters in Books, Reports and Conference Proceedings: ChaptersThe Masked Woman Revealed; or, the Prostitute and the Playwright in Behn Criticism
Women's Writing, vol. 7, pp. 149-164Contributions to Journals: Articles鈥榃ie die Hans Heilings': Weber, Marschner, and Thomas Mann鈥檚 Doktor Faustus
Cambridge Opera Journal, vol. 10, no. 2, pp. 179-204Contributions to Journals: Articles- [ONLINE] DOI: